AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 186
... individual intention . And the form of the whole , if the work of art is genuinely expressive of anything original , that is , of anything individually felt and intended , can never be experienced and so known to critics , until they ...
... individual intention . And the form of the whole , if the work of art is genuinely expressive of anything original , that is , of anything individually felt and intended , can never be experienced and so known to critics , until they ...
Pagina 190
... individual satis- faction , as well as individual expression , in concrete tech- nical completion . When sculpture is free expression , how- ever , what is expressed comes out only by virtue of the underlying structural orientation of ...
... individual satis- faction , as well as individual expression , in concrete tech- nical completion . When sculpture is free expression , how- ever , what is expressed comes out only by virtue of the underlying structural orientation of ...
Pagina 192
... individual satis- faction , as well as individual expression , in concrete tech- nical completion . When sculpture is free expression , how- ever , what is expressed comes out only by virtue of the underlying structural orientation of ...
... individual satis- faction , as well as individual expression , in concrete tech- nical completion . When sculpture is free expression , how- ever , what is expressed comes out only by virtue of the underlying structural orientation of ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words