AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 88
... intelligible as forms , once we have become familiar with them in their uses . An ordinary spoon goes far be- yond the geometry at the disposal of most of us . From the a priori geometrical standpoint it is a highly complex and ...
... intelligible as forms , once we have become familiar with them in their uses . An ordinary spoon goes far be- yond the geometry at the disposal of most of us . From the a priori geometrical standpoint it is a highly complex and ...
Pagina 105
... intelligible sentences . If in speech we arbi- trarily increased loudness at , say , every third syllable of a sentence , in order to give it pattern in time , we should simply make it unintelligible . Linguistic conventions de- mand ...
... intelligible sentences . If in speech we arbi- trarily increased loudness at , say , every third syllable of a sentence , in order to give it pattern in time , we should simply make it unintelligible . Linguistic conventions de- mand ...
Pagina 203
... intelligible terms in both analysis and criticism refer as definitely to matters of me- dium and technique as to strictly æsthetic content . The æsthetic content , occurring as it does only upon a medium technically used , used that is ...
... intelligible terms in both analysis and criticism refer as definitely to matters of me- dium and technique as to strictly æsthetic content . The æsthetic content , occurring as it does only upon a medium technically used , used that is ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words