AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 7
Pagina 5
... intensity , or a hue of specific intensity without spatial spread or temporal duration ; but the red of this rose or of this structural steel of a THE FIELD OF ESTHETICS 5.
... intensity , or a hue of specific intensity without spatial spread or temporal duration ; but the red of this rose or of this structural steel of a THE FIELD OF ESTHETICS 5.
Pagina 47
... intensity , may be said to be paralleled by intensity in smells or tastes ; but only very roughly even for our per- ception . And our control over the production of smells for example , for direct patterned presentation , is so far be ...
... intensity , may be said to be paralleled by intensity in smells or tastes ; but only very roughly even for our per- ception . And our control over the production of smells for example , for direct patterned presentation , is so far be ...
Pagina 165
... intensity in a range of color intensities- though that it will necessarily have — but in virtue of serv- ing to constitute the kind of a color design that is that of a smiling face or of pale , tortured anguish as it appears on a face ...
... intensity in a range of color intensities- though that it will necessarily have — but in virtue of serv- ing to constitute the kind of a color design that is that of a smiling face or of pale , tortured anguish as it appears on a face ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words