AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 38
It is of course such extraordinary beauty that interests us most in the end , just as
our interest in the money in the top bureau drawer may be all that instigates a
search of the house . But a good light on the subject may be better than much ...
It is of course such extraordinary beauty that interests us most in the end , just as
our interest in the money in the top bureau drawer may be all that instigates a
search of the house . But a good light on the subject may be better than much ...
Pagina 182
The second requirement is that of interest , which amounts in one way or another
to the demand for novelty . If unity is to give us satisfaction in art , it will be
because it unifies something . It is the variety that is held together in it that gives it
any ...
The second requirement is that of interest , which amounts in one way or another
to the demand for novelty . If unity is to give us satisfaction in art , it will be
because it unifies something . It is the variety that is held together in it that gives it
any ...
Pagina 183
It is equally clear that adequacy of apprehension will be facilitated by such
interests , and that interest may also center on formal apprehensibility . It is only
natural , then , that in seeing and judging works of art , even the most adequate
critic ...
It is equally clear that adequacy of apprehension will be facilitated by such
interests , and that interest may also center on formal apprehensibility . It is only
natural , then , that in seeing and judging works of art , even the most adequate
critic ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole