AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 38
... interests us most in the end , just as our interest in the money in the top bureau drawer may be all that instigates a search of the house . But a good light on the subject may be better than much fumbling in the dark , especially if in ...
... interests us most in the end , just as our interest in the money in the top bureau drawer may be all that instigates a search of the house . But a good light on the subject may be better than much fumbling in the dark , especially if in ...
Pagina 142
... interest of his or of our own . We wish to give directions , or to record an experience as bearing upon a matter of common concern , to communicate this piece of information to guide plans of action or to explain particular feature of ...
... interest of his or of our own . We wish to give directions , or to record an experience as bearing upon a matter of common concern , to communicate this piece of information to guide plans of action or to explain particular feature of ...
Pagina 184
... interest , which amounts in one way or another to the demand for novelty . If unity is to give us satisfaction in art , it will be because it unifies something . It is the variety that is held together in it that gives it any concrete ...
... interest , which amounts in one way or another to the demand for novelty . If unity is to give us satisfaction in art , it will be because it unifies something . It is the variety that is held together in it that gives it any concrete ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words