AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 74
... intervals of our scale . If is do , % is re , 54 mi , and so through the eight degrees . And the 1 % was for a long time , as we noted above ... intervals , that intervals may be differently related and grouped , that 74 ÆSTHETIC ANALYSIS.
... intervals of our scale . If is do , % is re , 54 mi , and so through the eight degrees . And the 1 % was for a long time , as we noted above ... intervals , that intervals may be differently related and grouped , that 74 ÆSTHETIC ANALYSIS.
Pagina 75
David Wight Prall. that intervals may be differently related and grouped , that smaller or larger intervals exclusively would serve the pur- poses of melody and hence of harmony ( any two notes at a given melodic interval necessarily ...
David Wight Prall. that intervals may be differently related and grouped , that smaller or larger intervals exclusively would serve the pur- poses of melody and hence of harmony ( any two notes at a given melodic interval necessarily ...
Pagina 111
... intervals nor in relations of intervals to one another in a system . Pitch of course helps to constitute so - called accent both in music and in verse . But high and low pitch in speech lie in a narrower range than in music , the ...
... intervals nor in relations of intervals to one another in a system . Pitch of course helps to constitute so - called accent both in music and in verse . But high and low pitch in speech lie in a narrower range than in music , the ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words