AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 56
... intrinsic to sound and color than spatial or temporal order ? And why , if we are to be rigorous , are temporal and spatial order any more intrinsic to spatial and temporal elements than the qualitative orders , since only as qualitied ...
... intrinsic to sound and color than spatial or temporal order ? And why , if we are to be rigorous , are temporal and spatial order any more intrinsic to spatial and temporal elements than the qualitative orders , since only as qualitied ...
Pagina 58
... intrinsically ordered , ele- ments that are found by means of discrimination in the concrete , but ordered and conceived ... intrinsic orders elements cannot be removed . A note carries with it its position in the pitch series into any ...
... intrinsically ordered , ele- ments that are found by means of discrimination in the concrete , but ordered and conceived ... intrinsic orders elements cannot be removed . A note carries with it its position in the pitch series into any ...
Pagina 184
... intrinsic relations and their structural possibilities , he cannot even be controlling the aesthetic structure he makes . For these relations , being intrinsic to the elements , will of necessity appear in his work and make up its ...
... intrinsic relations and their structural possibilities , he cannot even be controlling the aesthetic structure he makes . For these relations , being intrinsic to the elements , will of necessity appear in his work and make up its ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words