AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 23
... knowledge about society . Their main virtue is , I think , to indicate that analysis and abstraction are con- fined always to fields limited by ... Knowledge must be relatively determinate in order to be knowledge THE FIELD OF ESTHETICS 23.
... knowledge about society . Their main virtue is , I think , to indicate that analysis and abstraction are con- fined always to fields limited by ... Knowledge must be relatively determinate in order to be knowledge THE FIELD OF ESTHETICS 23.
Pagina 24
David Wight Prall. Knowledge must be relatively determinate in order to be knowledge at all . Omniscience is , if one stops to try and fathom its meaning , a hopelessly absurd notion , a logical impossibility . The lack of it is not a ...
David Wight Prall. Knowledge must be relatively determinate in order to be knowledge at all . Omniscience is , if one stops to try and fathom its meaning , a hopelessly absurd notion , a logical impossibility . The lack of it is not a ...
Pagina 62
... Knowledge in general is only very slightly made up of fully articulated imaginal content of this sort . But for all that , knowledge is knowledge at all only as it is conscious or unconscious adaptation by way of such coherent schemes ...
... Knowledge in general is only very slightly made up of fully articulated imaginal content of this sort . But for all that , knowledge is knowledge at all only as it is conscious or unconscious adaptation by way of such coherent schemes ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words