AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina xxii
... language in actual performance . I trust that whatever analogy between music and lan- guage is implied by the above ... languages . To be sure , they have much in common : expression , communication , a disposition towards certain formal ...
... language in actual performance . I trust that whatever analogy between music and lan- guage is implied by the above ... languages . To be sure , they have much in common : expression , communication , a disposition towards certain formal ...
Pagina 163
... Language cannot name the feeling here given ; for lan- guage cannot reach , in these regions of light and color and volume , the specification that constitutes the quality of an actual , determinate , individual picture . The point of ...
... Language cannot name the feeling here given ; for lan- guage cannot reach , in these regions of light and color and volume , the specification that constitutes the quality of an actual , determinate , individual picture . The point of ...
Pagina 164
... language can- not express directly in any case ; for what language gives us directly is only words , conventional symbols , the mean- ing of which is to be found only in concrete non - verbal content . Art in other words presents ...
... language can- not express directly in any case ; for what language gives us directly is only words , conventional symbols , the mean- ing of which is to be found only in concrete non - verbal content . Art in other words presents ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words