AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 36
... length . No color is presented con- cretely without extension . No presented visual surface lacks two spatial dimensions , as no physical object lacks three . But it is not falsification to speak of the length without mentioning the ...
... length . No color is presented con- cretely without extension . No presented visual surface lacks two spatial dimensions , as no physical object lacks three . But it is not falsification to speak of the length without mentioning the ...
Pagina 96
... lengths . Their sort of length is a longer or shorter duration , not a spatial distance . The danger is that language may confuse us on the point . For we use length to refer to space as well as time , just as we may use length to refer ...
... lengths . Their sort of length is a longer or shorter duration , not a spatial distance . The danger is that language may confuse us on the point . For we use length to refer to space as well as time , just as we may use length to refer ...
Pagina 98
... lengths of time involved , their length , that is , in terms of the units of time of our established clocks , it must be their relative lengths , the temporal relations of these lengths . another . But we can apprehend no particular lengths ...
... lengths of time involved , their length , that is , in terms of the units of time of our established clocks , it must be their relative lengths , the temporal relations of these lengths . another . But we can apprehend no particular lengths ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words