AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 48
... less alike , more or less contrasting . But just as there is no clear , complete order in them directly apprehended by us , which is intrinsic to their nature as pitch order is to the nature of sounds , so in composition with them we ...
... less alike , more or less contrasting . But just as there is no clear , complete order in them directly apprehended by us , which is intrinsic to their nature as pitch order is to the nature of sounds , so in composition with them we ...
Pagina 143
... less interesting to us , hence more or less objectionable or acceptable , liked or disliked . That is to say , the response to it is to some degree emotional . As our response is integral to the process conditioning the world's ...
... less interesting to us , hence more or less objectionable or acceptable , liked or disliked . That is to say , the response to it is to some degree emotional . As our response is integral to the process conditioning the world's ...
Pagina 187
... less irrelevant feelings in the presence of these works , and then pass on , on the strength of this , to judgments of their relative value , not only do they express conflicting feeling and judgment , but the conflicts that they ...
... less irrelevant feelings in the presence of these works , and then pass on , on the strength of this , to judgments of their relative value , not only do they express conflicting feeling and judgment , but the conflicts that they ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words