AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 23
... limited by the very abstractions that constitute their foundations . We cannot know everything at once from every conceivable point of view . Quite ob- viously ; for we always have , or are at , some one point of view , physically ...
... limited by the very abstractions that constitute their foundations . We cannot know everything at once from every conceivable point of view . Quite ob- viously ; for we always have , or are at , some one point of view , physically ...
Pagina 32
... limited to its own particular results , as if somehow it ought not to be so limited . The objection arises largely from not realizing either just what analysis is or what it can do , what its limits are and what its aims . In the first ...
... limited to its own particular results , as if somehow it ought not to be so limited . The objection arises largely from not realizing either just what analysis is or what it can do , what its limits are and what its aims . In the first ...
Pagina 59
... limited number of determinate modes or funda- mental patterns on the basis of which works of art have been constructed . Moreover , artists have had to consider many non - æsthetic aspects of the physical media that are the bearers of ...
... limited number of determinate modes or funda- mental patterns on the basis of which works of art have been constructed . Moreover , artists have had to consider many non - æsthetic aspects of the physical media that are the bearers of ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words