AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 98
... marks off clearly related time - lengths or durations along the one dimension of time . itself and thus defines a unit of time . But in order to mark off a time - length , a duration , both ends of this interval must be indicated . This ...
... marks off clearly related time - lengths or durations along the one dimension of time . itself and thus defines a unit of time . But in order to mark off a time - length , a duration , both ends of this interval must be indicated . This ...
Pagina 99
... mark the beginning and the end of one single interval . The pattern is laid upon the continuum and felt as patterning it all , until some further sign comes to mark a new and different division , or until attention flags or is ...
... mark the beginning and the end of one single interval . The pattern is laid upon the continuum and felt as patterning it all , until some further sign comes to mark a new and different division , or until attention flags or is ...
Pagina 157
... mark , say , its dilapidation . Some of these formal details we must have apprehended in it , how- ever , if we ... marks that lead us to think dilapidation , or the word di- lapidation , as we already know these , and not at all to ap ...
... mark , say , its dilapidation . Some of these formal details we must have apprehended in it , how- ever , if we ... marks that lead us to think dilapidation , or the word di- lapidation , as we already know these , and not at all to ap ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words