AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 105
... means of indicating the beginnings of measures , any ele- ment may take on increased loudness without changing the pitch sequence , and hence any pitch element may begin a measure ; but this is not true in a sequence of syllables in the ...
... means of indicating the beginnings of measures , any ele- ment may take on increased loudness without changing the pitch sequence , and hence any pitch element may begin a measure ; but this is not true in a sequence of syllables in the ...
Pagina 106
... means of indicating temporal measure in Eng- lish verse as well as the subdivision and the grouping of measures . It is the means used , that is , to mark off into measured and thus temporally related intervals what would otherwise be ...
... means of indicating temporal measure in Eng- lish verse as well as the subdivision and the grouping of measures . It is the means used , that is , to mark off into measured and thus temporally related intervals what would otherwise be ...
Pagina 168
... means and procedures and their customary uses , or by discriminating æsthetic elements as such and the re- lations and patterns fundamental to composition in any given medium , will be the only sure approach to full grasp , when the ...
... means and procedures and their customary uses , or by discriminating æsthetic elements as such and the re- lations and patterns fundamental to composition in any given medium , will be the only sure approach to full grasp , when the ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words