AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 54
Pagina 106
... measure in Eng- lish verse as well as the subdivision and the grouping of measures . It is the means used , that is , to mark off into measured and thus temporally related intervals what would otherwise be either an unpatterned flow of ...
... measure in Eng- lish verse as well as the subdivision and the grouping of measures . It is the means used , that is , to mark off into measured and thus temporally related intervals what would otherwise be either an unpatterned flow of ...
Pagina 125
... measure of rhythmical pattern . What else metre could serve to measure if not rhythmical units , one would be at a loss to know ; though it is constantly urged that metre and rhythm are quite distinct , as if either the metre were the ...
... measure of rhythmical pattern . What else metre could serve to measure if not rhythmical units , one would be at a loss to know ; though it is constantly urged that metre and rhythm are quite distinct , as if either the metre were the ...
Pagina 129
... measures to the line , each measure divided into halves , and each half fur- ther divided into three counts . The scheme never requires accents on naturally unaccented syllables , because it does not require accent all of the time to ...
... measures to the line , each measure divided into halves , and each half fur- ther divided into three counts . The scheme never requires accents on naturally unaccented syllables , because it does not require accent all of the time to ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words