AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 14
... melody , for example , is different from a series of rates . If the melody is heard as a whole - clearly appre- hended , that is , as some one determinate thing — it is to be expected that this heard melodic structure will depend for ...
... melody , for example , is different from a series of rates . If the melody is heard as a whole - clearly appre- hended , that is , as some one determinate thing — it is to be expected that this heard melodic structure will depend for ...
Pagina 17
David Wight Prall. Any melody is an example of the dependence of struc- ture upon native qualitative order in ... melodic structure , of course . But that it is one important aspect of it is fairly obvious . Say that we have a series of a ...
David Wight Prall. Any melody is an example of the dependence of struc- ture upon native qualitative order in ... melodic structure , of course . But that it is one important aspect of it is fairly obvious . Say that we have a series of a ...
Pagina 48
... melody ; and if we did , it must be granted that this would be a melody lacking the distinctive character that melodies in the more usual application of the word are defined by . Sounds then do not merely vary ; they vary sys ...
... melody ; and if we did , it must be granted that this would be a melody lacking the distinctive character that melodies in the more usual application of the word are defined by . Sounds then do not merely vary ; they vary sys ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words