AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina v
... musical scale here given or the account of the temporal patterns of verse . The proof was read by Mr. Oscar H. Shaftel and Mr. H. M. Austin , and Mr. Austin prepared the index . Leverett House , Harvard University , Cambridge ...
... musical scale here given or the account of the temporal patterns of verse . The proof was read by Mr. Oscar H. Shaftel and Mr. H. M. Austin , and Mr. Austin prepared the index . Leverett House , Harvard University , Cambridge ...
Pagina 63
... musical scale . What has selected the intervals that constitute this scale is the way in which sound is physically produced . Sounds with clear pitch occur when bodies like strings or columns of air vibrate at certain rates . Any ...
... musical scale . What has selected the intervals that constitute this scale is the way in which sound is physically produced . Sounds with clear pitch occur when bodies like strings or columns of air vibrate at certain rates . Any ...
Pagina 83
... musical scale , it is safe enough to go on to basic patterns in the more regularly recognized kinds of intelligible form . For general æsthetic theory we must limit ourselves here . We can- not in any brief account , even if ...
... musical scale , it is safe enough to go on to basic patterns in the more regularly recognized kinds of intelligible form . For general æsthetic theory we must limit ourselves here . We can- not in any brief account , even if ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words