AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 45
Pagina 69
... notes are related as at given pitch distances in the actual sound of the Tonic . If we now add the fifth , fourth ... notes of the scale . These are the notes related in pitch to the Dominant and Subdominant respectively as the Domi ...
... notes are related as at given pitch distances in the actual sound of the Tonic . If we now add the fifth , fourth ... notes of the scale . These are the notes related in pitch to the Dominant and Subdominant respectively as the Domi ...
Pagina 69
... notes are related as at given pitch distances in the actual sound of the Tonic . If we now add the fifth , fourth ... notes of the scale . These are the notes related in pitch to the Dominant and Subdominant respectively as the Domi ...
... notes are related as at given pitch distances in the actual sound of the Tonic . If we now add the fifth , fourth ... notes of the scale . These are the notes related in pitch to the Dominant and Subdominant respectively as the Domi ...
Pagina 107
... note half the time of a whole - note , a quarter - note half of a half - note , and so on ) , a quick measure is often indicated by writing a time signature as so many sixteenth - notes , or so many eighth - notes , to the measure ...
... note half the time of a whole - note , a quarter - note half of a half - note , and so on ) , a quick measure is often indicated by writing a time signature as so many sixteenth - notes , or so many eighth - notes , to the measure ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words