AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 50
Pagina 20
... object , or remembered or imagined content not unambiguously de- terminate in the object . What is given to full , unwander- ing , vital response , without penetration through and be- yond the qualitative felt presence defined by the object ...
... object , or remembered or imagined content not unambiguously de- terminate in the object . What is given to full , unwander- ing , vital response , without penetration through and be- yond the qualitative felt presence defined by the object ...
Pagina 35
... object of our attention ; these are abstracted from the rest of it . Moreover , there are dis- tinguishable aspects of objects which cannot be concretely presented alone . What we call concrete objects are after all themselves of this ...
... object of our attention ; these are abstracted from the rest of it . Moreover , there are dis- tinguishable aspects of objects which cannot be concretely presented alone . What we call concrete objects are after all themselves of this ...
Pagina 151
... object felt , so there is no clearly defined single feeling ex- perienced , but a welter of successive transitory feelings only very slightly defined separately and not integrated into any one defined object of attention . We get relief ...
... object felt , so there is no clearly defined single feeling ex- perienced , but a welter of successive transitory feelings only very slightly defined separately and not integrated into any one defined object of attention . We get relief ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words