AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 51
Pagina 1
... obvious condition of any study to a purpose that some so - called rationalization will label it conveniently . Later it may be more pertinently described in other terms ; as the- ology , if it has any real subject matter at all , will ...
... obvious condition of any study to a purpose that some so - called rationalization will label it conveniently . Later it may be more pertinently described in other terms ; as the- ology , if it has any real subject matter at all , will ...
Pagina 10
... obvious that both physical and specifically psychological or physiological processes are conditions of the presence of the æsthetic . Without differ- ences in external physical goings - on , vibrations of strings and air waves , or the ...
... obvious that both physical and specifically psychological or physiological processes are conditions of the presence of the æsthetic . Without differ- ences in external physical goings - on , vibrations of strings and air waves , or the ...
Pagina 45
... obvious to notice , we need only call attention to such a series as that of selected points on the surface of the earth . Chicago is related to New York by the relation west - of . And it seems at first obvious that New York can not be ...
... obvious to notice , we need only call attention to such a series as that of selected points on the surface of the earth . Chicago is related to New York by the relation west - of . And it seems at first obvious that New York can not be ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words