AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 66
... octave higher " and name its pitch by the same name , the C an octave above an original C , or A and the A an octave higher . If these are taken as notes in our scale , the fundamental as the key - note , then the fundamental is called ...
... octave higher " and name its pitch by the same name , the C an octave above an original C , or A and the A an octave higher . If these are taken as notes in our scale , the fundamental as the key - note , then the fundamental is called ...
Pagina 71
... octave . The rates corresponding to pitches between the fundamental and its octave will run from x to 2x , or , omitting the x instead of repeating it after every number , from 1 to 2. ( The actually current rate for " middle C " is ...
... octave . The rates corresponding to pitches between the fundamental and its octave will run from x to 2x , or , omitting the x instead of repeating it after every number , from 1 to 2. ( The actually current rate for " middle C " is ...
Pagina 76
... octave - length units , and dividing the octave - length into steps of determinate magnitude in determinate order . It was only after these steps were chosen and fixed in this succession that the terms octave , fifth , and the 76 ...
... octave - length units , and dividing the octave - length into steps of determinate magnitude in determinate order . It was only after these steps were chosen and fixed in this succession that the terms octave , fifth , and the 76 ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words