AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 24
Being everywhere at once and seeing and understanding everything from every
possible point of view , so that one ' s object is literally everything in all of its
aspects and all its relations , would apparently involve being completely identical
with ...
Being everywhere at once and seeing and understanding everything from every
possible point of view , so that one ' s object is literally everything in all of its
aspects and all its relations , would apparently involve being completely identical
with ...
Pagina 57
we use to abstract aspects of experience in a way that appears at once to be
unambiguous and to serve the purposes of the sort of knowledge that we seek by
indicating relevant distinctions for æsthetics . No concrete experience is totally ...
we use to abstract aspects of experience in a way that appears at once to be
unambiguous and to serve the purposes of the sort of knowledge that we seek by
indicating relevant distinctions for æsthetics . No concrete experience is totally ...
Pagina 131
once that the shorter lines are shorter only in the number of counts that are filled
with the sounds of syllables , not in the measured time that elapses before one
goes on to the next line . The temporal pattern , fairly obviously , is of two
measures ...
once that the shorter lines are shorter only in the number of counts that are filled
with the sounds of syllables , not in the measured time that elapses before one
goes on to the next line . The temporal pattern , fairly obviously , is of two
measures ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole