AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 24
... once and seeing and under- standing everything from every possible point of view , so that one's object is literally everything in all of its aspects and all its relations , would apparently involve being com- pletely identical with ...
... once and seeing and under- standing everything from every possible point of view , so that one's object is literally everything in all of its aspects and all its relations , would apparently involve being com- pletely identical with ...
Pagina 57
... once to be unambiguous and to serve the pur- poses of the sort of knowledge that we seek by indicat- ing relevant distinctions for æsthetics . No concrete experience is totally æsthetic . No æsthetic experience is totally of color or ...
... once to be unambiguous and to serve the pur- poses of the sort of knowledge that we seek by indicat- ing relevant distinctions for æsthetics . No concrete experience is totally æsthetic . No æsthetic experience is totally of color or ...
Pagina 131
... once to the fourth line ; and the second line of the second stanza : A heart as soft , a heart as kind , A heart as sound and free As in the whole world thou canst find , That heart I'll give to thee . Here the time scheme makes us go ...
... once to the fourth line ; and the second line of the second stanza : A heart as soft , a heart as kind , A heart as sound and free As in the whole world thou canst find , That heart I'll give to thee . Here the time scheme makes us go ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words