AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 50
Pagina 39
... particular case depends upon a readiness to discriminate sensuous details . What we need then is a systematic scheme that will put us in a position to grasp these details in particular cases and as constituting particular æsthetic ...
... particular case depends upon a readiness to discriminate sensuous details . What we need then is a systematic scheme that will put us in a position to grasp these details in particular cases and as constituting particular æsthetic ...
Pagina 46
... particular pitch ; and to be at a particular pitch is to be at a point fixed in the single series of all the pitches that there are . The important fact for æsthetics is not merely that a musical sound has its particular place in the ...
... particular pitch ; and to be at a particular pitch is to be at a point fixed in the single series of all the pitches that there are . The important fact for æsthetics is not merely that a musical sound has its particular place in the ...
Pagina 57
... particular pitches and of particular durations and in particular successions that we call hear- ing music . And it is only by abstracting from the in- finite , unintelligible , impinging world of nature what our attention can take in as ...
... particular pitches and of particular durations and in particular successions that we call hear- ing music . And it is only by abstracting from the in- finite , unintelligible , impinging world of nature what our attention can take in as ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words