AEsthetic Analysis |
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Pagina 39
Although pitch is only one aspect of sound , musicians have long composed and
taught very largely within one particular scheme of pitch intervals ; musical
analysis so - called refers entirely to this abstract scheme . This does not make ...
Although pitch is only one aspect of sound , musicians have long composed and
taught very largely within one particular scheme of pitch intervals ; musical
analysis so - called refers entirely to this abstract scheme . This does not make ...
Pagina 46
By virtue of being what we call a single sound , a note has to be at a particular
pitch ; and to be at a particular pitch is to be at a point fixed in the single series of
all the pitches that there are . The important fact for æsthetics is not merely that a
...
By virtue of being what we call a single sound , a note has to be at a particular
pitch ; and to be at a particular pitch is to be at a point fixed in the single series of
all the pitches that there are . The important fact for æsthetics is not merely that a
...
Pagina 57
But it is hearing sounds as at particular pitches and of particular durations and in
particular successions that we call hearing music . And it is only by abstracting
from the infinite , unintelligible , impinging world of nature what our attention can
...
But it is hearing sounds as at particular pitches and of particular durations and in
particular successions that we call hearing music . And it is only by abstracting
from the infinite , unintelligible , impinging world of nature what our attention can
...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole