AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 9
... perception . And to any conscious perception at all some degree of emotion is requisite , if it is no more than the excitement of the attention that brings it to a focus . The concrete object of asthetic perception is just this ...
... perception . And to any conscious perception at all some degree of emotion is requisite , if it is no more than the excitement of the attention that brings it to a focus . The concrete object of asthetic perception is just this ...
Pagina 91
... perception of the body's contours and proportions . Apprehensibility alone is the useful — not æsthetic — aim of the employment of media of communication , when what is to be communicated lies not within the medium itself as deployed to ...
... perception of the body's contours and proportions . Apprehensibility alone is the useful — not æsthetic — aim of the employment of media of communication , when what is to be communicated lies not within the medium itself as deployed to ...
Pagina 171
... perception beyond the present scope of his controlled and surveyed field ; for it is in this margin that any distinctively original creation neces- sarily appears . In any case æsthetic analysis as presented in these chapters , guided ...
... perception beyond the present scope of his controlled and surveyed field ; for it is in this margin that any distinctively original creation neces- sarily appears . In any case æsthetic analysis as presented in these chapters , guided ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words