AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 38
Pagina 11
... physical influences would not only not have differentiated experienced content present to it ; it would simply die . An isolated living organism is at most an incomplete image or an indeterminate conception . For organic life consists ...
... physical influences would not only not have differentiated experienced content present to it ; it would simply die . An isolated living organism is at most an incomplete image or an indeterminate conception . For organic life consists ...
Pagina 33
... physical object or to the concrete quality had in an experience , the nature of that object and of that qualitative presence remain what they were , even though we may , with new light on them , change our names for them . The strongest ...
... physical object or to the concrete quality had in an experience , the nature of that object and of that qualitative presence remain what they were , even though we may , with new light on them , change our names for them . The strongest ...
Pagina 150
... physical body as it is a state of mind , our mind being our organism as conscious . The physical organism actively functioning as a whole , and functioning at the same time consciously , is likely to be a cheerful spirit . Discourage ...
... physical body as it is a state of mind , our mind being our organism as conscious . The physical organism actively functioning as a whole , and functioning at the same time consciously , is likely to be a cheerful spirit . Discourage ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words