AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 74
... pitches marking the intervals of our scale . If is do , % is re , 54 mi , and so through the eight degrees . And the 1 % was for a long time , as we noted above , an equally acceptable alternative to 15 % , which establishes the interval ...
... pitches marking the intervals of our scale . If is do , % is re , 54 mi , and so through the eight degrees . And the 1 % was for a long time , as we noted above , an equally acceptable alternative to 15 % , which establishes the interval ...
Pagina 75
... intervals exclusively would serve the pur- poses of melody and hence of harmony ( any two notes at a given melodic ... pitch intervals , because pitches defining these intervals , or distances apart in pitch , and making up the sound of ...
... intervals exclusively would serve the pur- poses of melody and hence of harmony ( any two notes at a given melodic ... pitch intervals , because pitches defining these intervals , or distances apart in pitch , and making up the sound of ...
Pagina 111
... pitch is regu- larly a matter not only of distinct measured intervals but of the relations of intervals to one another in a system cen- tering on a key - note . It is a pattern of pitch which can be discovered as independent of rhythm ...
... pitch is regu- larly a matter not only of distinct measured intervals but of the relations of intervals to one another in a system cen- tering on a key - note . It is a pattern of pitch which can be discovered as independent of rhythm ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words