AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 52
... pitch pattern is easily recognizable as an aspect of melodic structure and hence of music . But pictures are not so regularly or so readily apprehended as being color patterns . In fact , in much of what we think of under the term ...
... pitch pattern is easily recognizable as an aspect of melodic structure and hence of music . But pictures are not so regularly or so readily apprehended as being color patterns . In fact , in much of what we think of under the term ...
Pagina 111
... pitch is regu- larly a matter not only of distinct measured intervals but of the relations of intervals to one another in a system cen- tering on a key - note . It is a pattern of pitch which can be discovered as independent of rhythm ...
... pitch is regu- larly a matter not only of distinct measured intervals but of the relations of intervals to one another in a system cen- tering on a key - note . It is a pattern of pitch which can be discovered as independent of rhythm ...
Pagina 121
... pitch for ears , and so not a difference in æsthetic structure in pitch , so measures of irregularity in time pattern in units of small fractions of a second may occur as the record of a perfectly regular time measure in æsthetic ...
... pitch for ears , and so not a difference in æsthetic structure in pitch , so measures of irregularity in time pattern in units of small fractions of a second may occur as the record of a perfectly regular time measure in æsthetic ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words