AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 21
David Wight Prall. to a point where such response is often appropriate or always possible . That æsthetic response is for most of us on most occa- sions not possible is the great stumbling block . And this obstacle can be removed in one ...
David Wight Prall. to a point where such response is often appropriate or always possible . That æsthetic response is for most of us on most occa- sions not possible is the great stumbling block . And this obstacle can be removed in one ...
Pagina 136
... possible . And it is consequently only in these same terms that a correspondingly relevant and accurate apprehension is possible of the structural forms actually given as æsthetic surfaces . Since , for ex- ample , in the ordered series ...
... possible . And it is consequently only in these same terms that a correspondingly relevant and accurate apprehension is possible of the structural forms actually given as æsthetic surfaces . Since , for ex- ample , in the ordered series ...
Pagina 176
... possible at all , and hence that science is a general possession . Esthetics , like all other knowledge , makes its generalizations on the as- sumption that human organisms in perceptual - affective response are not totally various ...
... possible at all , and hence that science is a general possession . Esthetics , like all other knowledge , makes its generalizations on the as- sumption that human organisms in perceptual - affective response are not totally various ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words