AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 21
to a point where such response is often appropriate or always possible . That
æsthetic response is for most of us on most occasions not possible is the great
stumbling block . And this obstacle can be removed in one way and one way only
...
to a point where such response is often appropriate or always possible . That
æsthetic response is for most of us on most occasions not possible is the great
stumbling block . And this obstacle can be removed in one way and one way only
...
Pagina 136
We have noticed too that it is only in terms of the abstractly ordered aspects of
sensory content that determinate controlled composition is possible . And it is
consequently only in these same terms that a correspondingly relevant and
accurate ...
We have noticed too that it is only in terms of the abstractly ordered aspects of
sensory content that determinate controlled composition is possible . And it is
consequently only in these same terms that a correspondingly relevant and
accurate ...
Pagina 176
It is only by their like ways of functioning that communication is possible at all ,
and hence that science is a general possession . Æsthetics , like all other
knowledge , makes its generalizations on the assumption that human organisms
in ...
It is only by their like ways of functioning that communication is possible at all ,
and hence that science is a general possession . Æsthetics , like all other
knowledge , makes its generalizations on the assumption that human organisms
in ...
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abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole