AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 8
... processes . We are self - preserving nodes in the intricate and infinite matrix of natural flux . And only as we can , so to speak , condense process into quality , only as we can sum infinite minute perceptions into large clear ones ...
... processes . We are self - preserving nodes in the intricate and infinite matrix of natural flux . And only as we can , so to speak , condense process into quality , only as we can sum infinite minute perceptions into large clear ones ...
Pagina 11
... process , that is to say an unanesthetized human being , is one of the conditions without which we never find æsthetic data at all . And an organism isolated totally from external physical ... processes . Æsthetics THE FIELD OF ÆSTHETICS II.
... process , that is to say an unanesthetized human being , is one of the conditions without which we never find æsthetic data at all . And an organism isolated totally from external physical ... processes . Æsthetics THE FIELD OF ÆSTHETICS II.
Pagina 151
... process upon which consciously present content supervenes . Then what was vaguely felt , uncoördinated , restless bodily processes , be- comes in consciousness unified feeling of a determinate qualitative sort . That is to say , the ...
... process upon which consciously present content supervenes . Then what was vaguely felt , uncoördinated , restless bodily processes , be- comes in consciousness unified feeling of a determinate qualitative sort . That is to say , the ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words