AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 77
Pagina 14
If , then , qualities have relations , and if these are systematic relations through
which qualitative structures are grasped as intelligible complexes , qualitative
wholes may also be amenable to scientific treatment . There is no reason why we
...
If , then , qualities have relations , and if these are systematic relations through
which qualitative structures are grasped as intelligible complexes , qualitative
wholes may also be amenable to scientific treatment . There is no reason why we
...
Pagina 79
merely the natural physical process of sound production is thus manifested as the
defining basis of a set of elements in intelligible qualitative order — an order , that
is , within pitch as such — that is as clear a structural basis as geometry .
merely the natural physical process of sound production is thus manifested as the
defining basis of a set of elements in intelligible qualitative order — an order , that
is , within pitch as such — that is as clear a structural basis as geometry .
Pagina 83
or nWe have been putting such emphasis upon qualitative order mainly because
theorists of all sorts , æstheticians as well as teachers of the arts , have so
neglected both the absolutely essential rôle played by such orders in making up
the ...
or nWe have been putting such emphasis upon qualitative order mainly because
theorists of all sorts , æstheticians as well as teachers of the arts , have so
neglected both the absolutely essential rôle played by such orders in making up
the ...
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abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole