AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 39
Pagina 56
... quality " as a term for the very pur- pose of distinguishing such aspects of color and sound from extensional aspects whether spatial or temporal . Why , then , are the qualitative orders any more intrinsic to sound and color than ...
... quality " as a term for the very pur- pose of distinguishing such aspects of color and sound from extensional aspects whether spatial or temporal . Why , then , are the qualitative orders any more intrinsic to sound and color than ...
Pagina 79
... qualitative order in elements and a naturally guided selection of these in an abstract system of relations . Such natural patterns of intrinsically ordered qualitative elements are the basis of any art . The scale thus illustrates ...
... qualitative order in elements and a naturally guided selection of these in an abstract system of relations . Such natural patterns of intrinsically ordered qualitative elements are the basis of any art . The scale thus illustrates ...
Pagina 83
... orders in making up the characteristic quality of particular sorts of com- position in any art , and the specific ... qualitative orders , and then of one selected qualitative pattern , viz . , the musical scale , it is safe enough to go ...
... orders in making up the characteristic quality of particular sorts of com- position in any art , and the specific ... qualitative orders , and then of one selected qualitative pattern , viz . , the musical scale , it is safe enough to go ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words