AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 31
Pagina 135
... range of hues and in a single ordered series of degrees of brightness . And to hear a note at a particular pitch is ... range of hues related to all the other points in that range , to apprehend a degree of brightness and a degree of ...
... range of hues and in a single ordered series of degrees of brightness . And to hear a note at a particular pitch is ... range of hues related to all the other points in that range , to apprehend a degree of brightness and a degree of ...
Pagina 168
... range . A very possible stretching of our powers is all that is required to apprehend their works in their actual deter- minate character . We do not have to know the whole range of technical possibilities , or how to select from this range ...
... range . A very possible stretching of our powers is all that is required to apprehend their works in their actual deter- minate character . We do not have to know the whole range of technical possibilities , or how to select from this range ...
Pagina 176
... range of perceptually controlled emotional correlation . As we all know in these days , emotional possibilities and emotional clarity depend on a thousand details of individual development , from early infancy through the childhood ...
... range of perceptually controlled emotional correlation . As we all know in these days , emotional possibilities and emotional clarity depend on a thousand details of individual development , from early infancy through the childhood ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words