AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 28
... requires great intellectual powers . It is often supposed that great artists are not en- dowed with mind so much as with a spirit which directly externalizes itself , and that other human spirits , by virtue of their innate humanity ...
... requires great intellectual powers . It is often supposed that great artists are not en- dowed with mind so much as with a spirit which directly externalizes itself , and that other human spirits , by virtue of their innate humanity ...
Pagina 82
... requires time for its concrete presentation , and qualitative orders themselves , whether scales or not , require spatial or temporal orders for concrete exhibition . The relative degree to which one kind of order rather than another ...
... requires time for its concrete presentation , and qualitative orders themselves , whether scales or not , require spatial or temporal orders for concrete exhibition . The relative degree to which one kind of order rather than another ...
Pagina 129
... requires accents on naturally unaccented syllables , because it does not require accent all of the time to mark the measures or their divisions ; it never requires substitution of one sort of foot for another , because its constituent ...
... requires accents on naturally unaccented syllables , because it does not require accent all of the time to mark the measures or their divisions ; it never requires substitution of one sort of foot for another , because its constituent ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words