AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 20
... response , without penetration through and be- yond the qualitative felt presence defined by the object , is exactly the æsthetic aspect of the world at the moment . What penetrates and goes beyond is non - æsthetic . But most response ...
... response , without penetration through and be- yond the qualitative felt presence defined by the object , is exactly the æsthetic aspect of the world at the moment . What penetrates and goes beyond is non - æsthetic . But most response ...
Pagina 147
... response to what is directly given ( though given only on condition that there is the specific response as one of its conditions ) . Response is of the whole organism unanas- thetized , whether it is to be called spirit or body using ...
... response to what is directly given ( though given only on condition that there is the specific response as one of its conditions ) . Response is of the whole organism unanas- thetized , whether it is to be called spirit or body using ...
Pagina 176
... response are not totally various , but largely alike . Since the one test of communication is response , since response is affective as well as intellectual , affective content in any given case must be for all men sufficiently ...
... response are not totally various , but largely alike . Since the one test of communication is response , since response is affective as well as intellectual , affective content in any given case must be for all men sufficiently ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words