AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 43
Pagina 92
... rhythm . But in the scheme that we have been expounding there is , besides this reason , the need for some exhibition of temporal order and temporal patterns on their own account . For what we have so far made out with any degree of ...
... rhythm . But in the scheme that we have been expounding there is , besides this reason , the need for some exhibition of temporal order and temporal patterns on their own account . For what we have so far made out with any degree of ...
Pagina 106
... rhythm or of a kind of rhythm . After all this we may say , I think , that we have taken account of the essential function of a fundamental recur- rent measure in any temporal pattern , and hence in the temporal aspect of verse ...
... rhythm or of a kind of rhythm . After all this we may say , I think , that we have taken account of the essential function of a fundamental recur- rent measure in any temporal pattern , and hence in the temporal aspect of verse ...
Pagina 129
... rhythm , and the term iambic and the term pentameter describe no aspect whatever of the rhythm of blank verse lines . That rhythm has at least a temporal pattern not made up of five beats , or five meas- ures , nor of ten syllables ...
... rhythm , and the term iambic and the term pentameter describe no aspect whatever of the rhythm of blank verse lines . That rhythm has at least a temporal pattern not made up of five beats , or five meas- ures , nor of ten syllables ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words