AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 10
Pagina 103
... rhythmical structure will be more strikingly and obviously characterized by rise and fall , by ictus , beat , pulse , than by the strictly temporal character of the pattern , which is simply the division of the time stream into measures ...
... rhythmical structure will be more strikingly and obviously characterized by rise and fall , by ictus , beat , pulse , than by the strictly temporal character of the pattern , which is simply the division of the time stream into measures ...
Pagina 125
... rhythmical pattern . What else metre could serve to measure if not rhythmical units , one would be at a loss to know ; though it is constantly urged that metre and rhythm are quite distinct , as if either the metre were the measure of ...
... rhythmical pattern . What else metre could serve to measure if not rhythmical units , one would be at a loss to know ; though it is constantly urged that metre and rhythm are quite distinct , as if either the metre were the measure of ...
Pagina 132
... rhythmical reading that fits the natural speaking of the words , gives us two regular measures of six counts to the line , grouped as follows : I 2 3 bid me to 4 5 6 live and 6 I will live Thy 6 I 2.3 4 5 6 1 2 3 4 5 Protes be- ( Ổt ) ...
... rhythmical reading that fits the natural speaking of the words , gives us two regular measures of six counts to the line , grouped as follows : I 2 3 bid me to 4 5 6 live and 6 I will live Thy 6 I 2.3 4 5 6 1 2 3 4 5 Protes be- ( Ổt ) ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words