AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 37
Pagina 69
If we now add the fifth , fourth , and third of the Dominant and Subdominant , the
pitches at those intervals that are most audibly defined in the sounds of the
Dominant and the Subdominant themselves , we shall have all the notes of the
scale .
If we now add the fifth , fourth , and third of the Dominant and Subdominant , the
pitches at those intervals that are most audibly defined in the sounds of the
Dominant and the Subdominant themselves , we shall have all the notes of the
scale .
Pagina 69
If we now add the fifth , fourth , and third of the Dominant and Subdominant , the
pitches at those intervals that are most audibly defined in the sounds of the
Dominant and the Subdominant themselves , we shall have all the notes of the
scale .
If we now add the fifth , fourth , and third of the Dominant and Subdominant , the
pitches at those intervals that are most audibly defined in the sounds of the
Dominant and the Subdominant themselves , we shall have all the notes of the
scale .
Pagina 77
succession that the terms octave , fifth , and the rest , to name the eight places of
the scale - order , became applicable . Thus it is a series of abstract elements that
we have found as the scale , along an abstract continuum of one dimension .
succession that the terms octave , fifth , and the rest , to name the eight places of
the scale - order , became applicable . Thus it is a series of abstract elements that
we have found as the scale , along an abstract continuum of one dimension .
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole