AEsthetic analysis |
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Pagina 69
If we now add the fifth, fourth, and third of the Dominant and Subdominant, the
pitches at those intervals that are most audibly defined in the sounds of the
Dominant and the Subdominant themselves, we shall have all the notes of the
scale.
If we now add the fifth, fourth, and third of the Dominant and Subdominant, the
pitches at those intervals that are most audibly defined in the sounds of the
Dominant and the Subdominant themselves, we shall have all the notes of the
scale.
Pagina 70
And it is the note to which the rest of the scale notes, re, la, and si, are related
through the Dominant and the Subdominant. Another way in which these
intervals may be seen as selected by natural conditions is by calculating a priori
in terms of ...
And it is the note to which the rest of the scale notes, re, la, and si, are related
through the Dominant and the Subdominant. Another way in which these
intervals may be seen as selected by natural conditions is by calculating a priori
in terms of ...
Pagina 77
succession that the terms octave, fifth, and the rest, to name the eight places of
the scale-order, became applicable. Thus it is a series of abstract elements that
we have found as the scale, along an abstract continuum of one dimension. And
of ...
succession that the terms octave, fifth, and the rest, to name the eight places of
the scale-order, became applicable. Thus it is a series of abstract elements that
we have found as the scale, along an abstract continuum of one dimension. And
of ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate aesthetic analysis aesthetic content aesthetic surface aesthetic theory apply apprehended artists attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge length Leverett House loudness means Mediant merely musical scale nature notes obvious octave painting particular Pathetique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words
Informazioni bibliografiche
| Titolo | AEsthetic analysis Apollo editions |
| Autore | David Wight Prall |
| Editore | Thomas, Y. Crowell, 1936 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 21 lug 2010 |
| Lunghezza | 211 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |