AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 40
... scheme . And it would be impossible to generalize were not the particular elements so related , in definitely indicated ways , that our scheme of them may represent the dis- cerned order of their actual nature and therefore be directed ...
... scheme . And it would be impossible to generalize were not the particular elements so related , in definitely indicated ways , that our scheme of them may represent the dis- cerned order of their actual nature and therefore be directed ...
Pagina 76
... scheme of intervals defined for us in the very nature of musical sound , but abstracted from this concrete objective presence to sense in a scheme of abstract relations or pitch intervals . This is a scheme not discernible anywhere but ...
... scheme of intervals defined for us in the very nature of musical sound , but abstracted from this concrete objective presence to sense in a scheme of abstract relations or pitch intervals . This is a scheme not discernible anywhere but ...
Pagina 110
... scheme to actual verse appears to help us discern its heard pattern in so far as that pattern is temporal . And since the scheme has little relation to iambs and trochees and dactyls , or to tetrameters and pentameters , we shall do ...
... scheme to actual verse appears to help us discern its heard pattern in so far as that pattern is temporal . And since the scheme has little relation to iambs and trochees and dactyls , or to tetrameters and pentameters , we shall do ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words