AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 64
... selected for us by nature . To follow through and to decide on them all took a long time . The scheme was partly ... selection of the scale notes , human ears were guided by the nature of the physical conditions of sound production . We ...
... selected for us by nature . To follow through and to decide on them all took a long time . The scheme was partly ... selection of the scale notes , human ears were guided by the nature of the physical conditions of sound production . We ...
Pagina 137
... selected elements in a series , all of whose elements lie in this single order . Hence their relation is itself related to all the other relations in the series , and , as concretely exhibited , becomes necessarily and for direct ...
... selected elements in a series , all of whose elements lie in this single order . Hence their relation is itself related to all the other relations in the series , and , as concretely exhibited , becomes necessarily and for direct ...
Pagina 138
... selected elements in specific relations to one another , as measured within the serial orders , to which they allow us to give units of qualitative distance . These patterns too are abstract , and they are palpably ele- mentary ...
... selected elements in specific relations to one another , as measured within the serial orders , to which they allow us to give units of qualitative distance . These patterns too are abstract , and they are palpably ele- mentary ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words