AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 60
Pagina xv
in the sense that a receptacle is separate . This degree of identification between
form and feeling departs quite noticeably from Santayana , because even if his
form as " first term " and feeling as “ second term " are invested with equal status ...
in the sense that a receptacle is separate . This degree of identification between
form and feeling departs quite noticeably from Santayana , because even if his
form as " first term " and feeling as “ second term " are invested with equal status ...
Pagina 6
It is not merely distinguished by one of the senses , but felt emotionally in its full
present character . ... our attention being on a situation not here and now given
through sense , but called up in relation to something that we want to do or to
have ...
It is not merely distinguished by one of the senses , but felt emotionally in its full
present character . ... our attention being on a situation not here and now given
through sense , but called up in relation to something that we want to do or to
have ...
Pagina 138
And so in a parallel sense not only of spatial elements , but of concretely
exhibited temporal elements , durations of various lengths , whether of sounds or
of motions , natively ordered in the manifold serial orders of space and the one ...
And so in a parallel sense not only of spatial elements , but of concretely
exhibited temporal elements , durations of various lengths , whether of sounds or
of motions , natively ordered in the manifold serial orders of space and the one ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole