AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 61
Pagina xv
... sense - if only to keep reminding ourselves that any state- ment made about works of art , about either their form or their feeling , is necessarily limited and , in a sense , incom- plete . The statement , " This work is in sonata form ...
... sense - if only to keep reminding ourselves that any state- ment made about works of art , about either their form or their feeling , is necessarily limited and , in a sense , incom- plete . The statement , " This work is in sonata form ...
Pagina 6
... sense , but called up in relation to something that we want to do or to have somewhere else or at some other time or even pres- ently — so soon as this is the emphatic aspect of our rela- tion to any object , that relation is no longer ...
... sense , but called up in relation to something that we want to do or to have somewhere else or at some other time or even pres- ently — so soon as this is the emphatic aspect of our rela- tion to any object , that relation is no longer ...
Pagina 138
... sense not only of spatial elements , but of concretely exhibited temporal elements , durations of various lengths , whether of sounds or of motions , natively ordered in the manifold serial orders of space and the one - dimensional ...
... sense not only of spatial elements , but of concretely exhibited temporal elements , durations of various lengths , whether of sounds or of motions , natively ordered in the manifold serial orders of space and the one - dimensional ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words