AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 19
Pagina 135
... sensory elements systematically related in ordered ranges or manifolds to which they belong by virtue of their own nature . In this sense the elements are intrinsically related . They lie in serial orders intrinsic to their defining ...
... sensory elements systematically related in ordered ranges or manifolds to which they belong by virtue of their own nature . In this sense the elements are intrinsically related . They lie in serial orders intrinsic to their defining ...
Pagina 138
... sensory variations are then the essential basis , the actual constitutive nature , of all sensuous structures . And so in a parallel sense not only of spatial elements , but of concretely exhibited temporal elements , durations of ...
... sensory variations are then the essential basis , the actual constitutive nature , of all sensuous structures . And so in a parallel sense not only of spatial elements , but of concretely exhibited temporal elements , durations of ...
Pagina 184
... sensory qualitative natures . We might live in the dark regions of incompleted impulse , at the mercy of subconscious organic processes never expressed or pos- sessed , but always possessing us in the disordered flux of what is often ...
... sensory qualitative natures . We might live in the dark regions of incompleted impulse , at the mercy of subconscious organic processes never expressed or pos- sessed , but always possessing us in the disordered flux of what is often ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words