AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 19
... sensuous content or emotional depth or human significance . But this objection has already been answered . For the ele- ments we have so far suggested are not only sensuous but emotionally toned , and the structural relations are sensu ...
... sensuous content or emotional depth or human significance . But this objection has already been answered . For the ele- ments we have so far suggested are not only sensuous but emotionally toned , and the structural relations are sensu ...
Pagina 42
... sensuous elements , namely sensuous relations . It will be clear too that both the elements and the relations are abstract , that is , distinguishable aspects of the concrete sensory content , but not experienced separately from it ...
... sensuous elements , namely sensuous relations . It will be clear too that both the elements and the relations are abstract , that is , distinguishable aspects of the concrete sensory content , but not experienced separately from it ...
Pagina 146
... sensuous aspects of works of art is even a distraction precluding the apprehension of their es- sential nature . It has thus become hard for us to realize that the merely sensuous , meaning something that is solely sensuous , is not ...
... sensuous aspects of works of art is even a distraction precluding the apprehension of their es- sential nature . It has thus become hard for us to realize that the merely sensuous , meaning something that is solely sensuous , is not ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words