AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 19
Pagina xxvi
... serial order of pitches . By " serial order " he simply means the relation of pitches at discrete points in the ... orders , since these very concepts are now used to explain techniques of serial composition by our most learned Amer- ican ...
... serial order of pitches . By " serial order " he simply means the relation of pitches at discrete points in the ... orders , since these very concepts are now used to explain techniques of serial composition by our most learned Amer- ican ...
Pagina 44
... serial relations constituting serial orders . But the situation is complicated by the fact that these serial orders are not of the concrete sounds , not of hearable notes nor of concrete visible colors as such , but of aspects of these ...
... serial relations constituting serial orders . But the situation is complicated by the fact that these serial orders are not of the concrete sounds , not of hearable notes nor of concrete visible colors as such , but of aspects of these ...
Pagina 138
... ordered in the manifold serial orders of space and the one - dimensional irreversible order of time . Next we found how natural conditions of the occurrence of sensory elements having such ordered aspects , defined for apprehension ...
... ordered in the manifold serial orders of space and the one - dimensional irreversible order of time . Next we found how natural conditions of the occurrence of sensory elements having such ordered aspects , defined for apprehension ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words