AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 37
Pagina 19
... significance . But this objection has already been answered . For the ele- ments we have so far suggested are not ... significant content . When all of the sensuous elements are appre- hended in just those relational structures which ...
... significance . But this objection has already been answered . For the ele- ments we have so far suggested are not ... significant content . When all of the sensuous elements are appre- hended in just those relational structures which ...
Pagina 143
... significant sense inconsistent with these facts , is to attribute it to a transcendental conditioning not of the organism and the surrounding world , but of a very special sort of subject for which there is by definition no empirical ...
... significant sense inconsistent with these facts , is to attribute it to a transcendental conditioning not of the organism and the surrounding world , but of a very special sort of subject for which there is by definition no empirical ...
Pagina 170
... significant or not . If it is genuinely and strikingly significant , it will be just such a unity as has never been achieved before , by means never used in exactly this way before . Hence it will not be apprehended quite at once even ...
... significant or not . If it is genuinely and strikingly significant , it will be just such a unity as has never been achieved before , by means never used in exactly this way before . Hence it will not be apprehended quite at once even ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words