AEsthetic Analysis |
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Risultati 1-3 di 42
Pagina 46
By virtue of being what we call a single sound , a note has to be at a particular
pitch ; and to be at a particular pitch is to be at a point fixed in the single series of
all the pitches that there are . The important fact for æsthetics is not merely that a
...
By virtue of being what we call a single sound , a note has to be at a particular
pitch ; and to be at a particular pitch is to be at a point fixed in the single series of
all the pitches that there are . The important fact for æsthetics is not merely that a
...
Pagina 135
All musical sounds are in one single pitch series , as all the variations of color are
in a single range of hues and in a single ordered series of degrees of brightness .
And to hear a note at a particular pitch is to hear a note in its relation to any ...
All musical sounds are in one single pitch series , as all the variations of color are
in a single range of hues and in a single ordered series of degrees of brightness .
And to hear a note at a particular pitch is to hear a note in its relation to any ...
Pagina 155
Significant æsthetic objects , such as artists are concerned to make and other
human beings to appreciate , are on the one hand single qualitative feelings
given in apprehension . On the other hand , they are intricate and coherent
complexes ...
Significant æsthetic objects , such as artists are concerned to make and other
human beings to appreciate , are on the one hand single qualitative feelings
given in apprehension . On the other hand , they are intricate and coherent
complexes ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole