AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 48
Pagina 41
... sort of coherence . And structures are grasped as such only when we are already familiar with them as wholes or types , or with their kinds of elements and the kinds of relations native or possible to these elements in complexes . For ...
... sort of coherence . And structures are grasped as such only when we are already familiar with them as wholes or types , or with their kinds of elements and the kinds of relations native or possible to these elements in complexes . For ...
Pagina 94
... sort of pattern that we have not yet even so much as explicitly illustrated is the sort that is constituted abstractly out of the time - order , an order clearly distinguish- able from what we have called qualitative orders , as in ...
... sort of pattern that we have not yet even so much as explicitly illustrated is the sort that is constituted abstractly out of the time - order , an order clearly distinguish- able from what we have called qualitative orders , as in ...
Pagina 194
... sort of ignorance that the practice of asthetic analysis might help to dispel , along with the strange delu- sion that the world from some more microscopic point of view or by way of some more broadly inclusive angelic or divine type of ...
... sort of ignorance that the practice of asthetic analysis might help to dispel , along with the strange delu- sion that the world from some more microscopic point of view or by way of some more broadly inclusive angelic or divine type of ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words