AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 57
Pagina 41
But any scheme , any formal structure , whether a sequence of habitual
conscious or unconscious acts , or a presented geometrical design , can be one
only by virtue of some sort of coherence . And structures are grasped as such
only when ...
But any scheme , any formal structure , whether a sequence of habitual
conscious or unconscious acts , or a presented geometrical design , can be one
only by virtue of some sort of coherence . And structures are grasped as such
only when ...
Pagina 94
The one sort of pattern that we have not yet even so much as explicitly illustrated
is the sort that is constituted abstractly out of the time - order , an order clearly
distinguishable from what we have called qualitative orders , as in sound and
color ...
The one sort of pattern that we have not yet even so much as explicitly illustrated
is the sort that is constituted abstractly out of the time - order , an order clearly
distinguishable from what we have called qualitative orders , as in sound and
color ...
Pagina 194
Sculpture is thus a striking case of the way in which the lack of perceptual training
in the simplest sorts of discrimination , and in acquaintance with even the most
available natural patterns and details of form , results not only in a lack of ...
Sculpture is thus a striking case of the way in which the lack of perceptual training
in the simplest sorts of discrimination , and in acquaintance with even the most
available natural patterns and details of form , results not only in a lack of ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole