AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 17
Every musical sound does . We distinguish sound from noise by just this
characteristic . And if sounds could not be relied on to have pitches , lying all of
them at fixed points in the long line of pitch itself , there would be no way of
following one ...
Every musical sound does . We distinguish sound from noise by just this
characteristic . And if sounds could not be relied on to have pitches , lying all of
them at fixed points in the long line of pitch itself , there would be no way of
following one ...
Pagina 46
If B is higher in pitch than Ā , and C is higher in pitch than B , then C is higher in
pitch than A . It is clear then that every sound ( and we distinguish sounds from
noises by just this criterion that they have clearly perceptible pitch ) lies in this ...
If B is higher in pitch than Ā , and C is higher in pitch than B , then C is higher in
pitch than A . It is clear then that every sound ( and we distinguish sounds from
noises by just this criterion that they have clearly perceptible pitch ) lies in this ...
Pagina 64
goblet and seen the vibrations ripple the water in it while a clear sound is emitted
. When vibration rates are rapid enough and not too rapid a sound is produced
with definite pitch . It is these familiar natural facts about the determinately timed ...
goblet and seen the vibrations ripple the water in it while a clear sound is emitted
. When vibration rates are rapid enough and not too rapid a sound is produced
with definite pitch . It is these familiar natural facts about the determinately timed ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole