AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 15
... spatial structure , as itself con- stituted by strictly qualitative relations , relations intrinsic to the nature of colors themselves as distinct from their spatial spread . We may suppose a flat disk , white in the center , which is ...
... spatial structure , as itself con- stituted by strictly qualitative relations , relations intrinsic to the nature of colors themselves as distinct from their spatial spread . We may suppose a flat disk , white in the center , which is ...
Pagina 53
... spatial pattern can be sensuously present . Even figures in geometry must be black against white or gray if they are ... spatial character as spatial character is to the presentation of elements of color , or duration and succession in a ...
... spatial pattern can be sensuously present . Even figures in geometry must be black against white or gray if they are ... spatial character as spatial character is to the presentation of elements of color , or duration and succession in a ...
Pagina 56
David Wight Prall. sound and intrinsic to color . We have spoken of spatial and temporal orders as intrinsic to elements that are spatial and temporal . And we have noticed that for actual concretely apparent surfaces for ear and eye we ...
David Wight Prall. sound and intrinsic to color . We have spoken of spatial and temporal orders as intrinsic to elements that are spatial and temporal . And we have noticed that for actual concretely apparent surfaces for ear and eye we ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words